Lars Sandås
The common denominator in much of my work is my interest for “invisible stories”. By focusing on phenomena, problems and historical events I feel we - as a society - need to pay more attention to, I illuminate underexposed parts of reality.
In the pieces Små monumenter (2019), In Ruins: Syria (2018-), Narkoatlas - Oslo (2016), 34 1/2 år (2014) and En familietragedie (2011), I comment on societal and political themes like outsiderness, distrubution of wealth, injustice and violence, all of which are common themes in my art.
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